bryantrod:

brook:

halcy:

uh oh [x]

it’s time

THEEEEEEEY CALL ME CUBAN PETE

IM THE KING OF THE ROMPA BEAT

WHEN I PLAY THE MARACAS I GO

CHIC CHICKY BOOM CHIC CHICKY BOOM

(via missoswinwinchester)


tattooidea:


"Underneath the footprints it says “I solemnly swear that I am up to no good” in clear UV-reactive ink"
 

 
The Harry Potter geek in me just freaked out.

tattooidea:

"Underneath the footprints it says “I solemnly swear that I am up to no good” in clear UV-reactive ink"

 

 

The Harry Potter geek in me just freaked out.

(via englishproblems)


nerdnuggets:

jelliclephantomfaces:

chandraleeschwartz:

six-months-from-never:

*sees broom*

*picks up broom*

"TELL THEM HOW I AM DEFYYYYYYYYYING GRAAAAAVITTYYYY"

*starts sweeping broom sadly*

"There is a castle on a cloud…"

*holds broom horizontally*

"Never need a reason, never need a rhyme. Up on the roof top step in time!"

*sweeps broom angrily*

"IT’S A HARD KNOCK LIFE!"

(via literarythieves-13)


humansofnewyork:

"What’s your biggest dream for your child?""We’ll let him dream for himself."
(New Delhi, India)

humansofnewyork:

"What’s your biggest dream for your child?"
"We’ll let him dream for himself."

(New Delhi, India)


Ask me what kind of porn I’m into,
and I will take you on a magical journey to
fanfiction.com/harrypotter/nc17—

What turns me on
is Ginny Weasley in the Restricted Section with her skirt hiked up,
Sirius Black in a secret passageway
solemnly swearing he is up to no good,
and Draco Malfoy
in the Room of Requirement
Slytherin in to my Chamber of Secrets,

I am an unapologetic consumer of
all things Potterotica,
and the sexiest part
is not the way
Cho Chang rides that broomstick,
or the sound of Myrtle moaning,
the sexiest part
is knowing they are part of a bigger story,
that they exist beyond eight minutes in
“Titty Titty Gang Bang,”
that their kegels
are not the strongest thing about them,
and still,
I am told that my porn is unrealistic.

Not quite as erotic
as flashing ads that say “JUST TURNED 18!”
so you can fantasize about fucking
the youngest girl you won’t go to jail for;

I’m told that my porn isn’t quite as lifelike
as a room full of lesbians begging for cock,
told that this
is what is supposed to turn me on,

Don’t you give me raw meat
and tell me it is nourishment,
I know a slaughterhouse when I see one.

It looks like 24/7 live streaming
reminding me
that men are going to fuck me
whether I like it or not,
that there is one use for my mouth
and it is not speaking,
that a man is his most powerful
when he’s got a woman by the hair;

The first time a man I loved
held me by the wrists and called me a whore,
I did not think, “RUN.”
I thought, “This is just like the movies,”
I know a slaughterhouse when I see one.

It looks like websites and seminars
teaching you how to fuck more bitches;
Looks like 15-year-old boys
bullied for being virgins;
It looks like the man who did not flinch
when I said “Stop,”
and he heard, “try harder,”

If you play-act at butchery long enough
you grow used to
the sounds of the screaming.

It is just a side effect of industry;
Everything gets cut
into small, marketable pieces,
you can almost forget
they were ever real bodies.

I will not practice bloody hands.
I will not make-believe dissected women.
My sex cannot be packaged,
my sex is magic,
it is part of a bigger story;
I am whole.
I exist when you are not fucking me,
and I will not be cut into pieces
anymore.

sophieowls:

kylemus:

Tumblr rule #1: always reblog the creator

god hes so cute.

(via missoswinwinchester)



Please don’t expect me to always be good and kind and loving. There are times when I will be cold and thoughtless and hard to understand.
Sylvia Plath (via larmoyante)

(via starved-adventures)


allthingseurope:

Ponte Vecchio, Florence (by Guido Boccignone)

allthingseurope:

Ponte Vecchio, Florence (by Guido Boccignone)





reportagebygettyimages:

Photojournalist Ian Parry was only 24 years old when he was killed while covering the Romanian Revolution in 1989 for The Sunday Times of London. Aidan Sullivan, then the Times’ Director of Photography, created the Ian Parry Scholarship, which assists young photographers, from a determination ‘to create something positive from this tragedy.’ 

Now, 25 years after Parry’s death, the winners of the scholarship are being shown in a special exhibition at Visa pour l’Image in Perpignan, France. See more photos by the winners and read about Parry’s legacy on New York Times Lens Blog. 

Above photos by: Jonas Bendiksen, Marcus Bleasdale, Farzana Hossen


(via tessaviolet)